Best 35mm Lens for the Darkness Conqueror: The f0. SLR Magic has been churning out some very high-quality Noktor glass of late, and their 35mm f0. At f0. Shot wide open, the SLR Magic 35mm f0. Just make sure you calm those quivering hands, partner. Today's Best Deals. Type keyword s to search. Today's Top Stories. Four Fitness Myths to Ignore. Photography has especially benefited from automatic technology; most modern lenses have the ability to autofocus, an advantageous feature for those who snap photos of fast-paced subjects like animals or sports.
Well, there are actually plenty of reasons! From the build material to the optical quality, handling, price point, collectability, and historical reputation, manual lenses are, in fact, a valuable worthwhile investment for most photographers. Manual lenses are so popular to own that they continue to thrive in the used gear market , and particularly legendary lenses still sell at prices comparable to modern, automated lenses.
While adding a manual lens to your collection should definitely be on your list of gear to get, not all manual lenses are created equally, and some outshine others. Multi-coated, with nine elements in seven groups, the lens performs well optically, producing sharp photos when stopped down. This pricey manual lens has been noted to produce wonderful, even bokeh, and is great for portraiture. While some users swear that the lens produces sharp photos at any aperture, many have reported that at its widest open, the lens produces soft pictures.
Stopped down, however, this lens is a guaranteed performer. The only real issue buyers may encounter with this lens is its cost, which is definitely on the steeper end of vintage lens price tags. Price notwithstanding, this lens is still worth every penny. Used as a street lens on an APS-C format body, you get a more suitable viewing angle and the crop factor cuts off the corners of the frame, reducing color fringing, distortion and the drop in edge-sharpness.
The six-element optical stack includes one aspherical element, Super Spectra coatings, and there's a fairly well-rounded seven-blade diaphragm.
Autofocus is courtesy of a quick and quiet stepping motor, with an electronically coupled manual focus ring, though this is rather small and fiddly. Image quality is impressive with excellent sharpness across the frame and amazingly little color fringing, even without using in-camera corrections.
Thanks to the 1. It gives the same degree viewing angle as using a 35mm lens on a full-frame camera, which is perfect for street photography. Given the downsized build of EOS M bodies, the overall camera and lens combination is particularly stealthy.
The STM Stepping Motor autofocus system is quick and very quiet, and manual focusing benefits from an optional focus peaking display, featured in all current EOS M cameras.
An aspherical element in the optical path helps to reduce the physical size while also boosting image quality, minimizing spherical aberrations. Super Spectra coatings are also applied to reduce ghosting and flare. Overall build quality is good and, despite being such a lightweight lens, the mounting plate is metal rather than plastic. Typical of manual-focus lenses, the focus ring has a long rotational travel and operates with smooth precision.
This is a real bonus for traditional street photography, where you set the focus distance ahead of shooting. Image quality is a mixed bag, as centre-sharpness and contrast are disappointing when shooting wide-open. We actually recorded better lab results for sharpness at the corners of the frame.
The stepping motor-based autofocus system is fast and virtually silent, while enabling very smooth and precise manual focusing via its electronically coupled control ring. When in autofocus mode, you can customise the function of the control ring. However, directional focus assist lamps and a focus peaking option are available in Nikon Z 6 and Z 7 cameras. Image quality is fabulous, with particularly stunning centre-sharpness. With a 24mm rather than 35mm focal length, this lens gives a wider viewing angle that can be useful for tight city streets.
The only thing missing is weather sealing. Performance is excellent, with superb sharpness, even when shooting wide-open. The negligible levels of distortion and color fringing are even further reduced when using this 24mm as a street lens on a DX-format Nikon DSLR, where it gives a more traditional street photography focal length of 36mm.
It focuses closer than average, right down to 0. Autofocus and manual focus both work very well, although the focus distance scale lacks any depth of field markings, putting zone focusing off-limits. Image quality is very good overall but, for outright sharpness, the Tamron isn't quite class-leading. Fringing is also a bit more noticeable than from most competing lenses. Marketed under the Rokinon brand in the USA, this manual-focus Samyang lens is available in a wide variety of mount options in addition to this Nikon FX version.
The focus ring has a long rotational travel and operates precisely and smoothly. Whereas the 35mm has a glass aspherical element and two HR High Refractive index elements, the 24mm doubles up on aspherical elements and features four ED Extra-low Dispersion elements.
Centre-sharpness is disappointing wide-open but excellent when stopping down a little, however fringing is worse than average at the corners of the frame.
But this is conveniently cropped out when the lens is used on a DX Nikon body. The ring-type ultrasonic system is typically quick and quiet, as well as enabling full-time manual override. This Nikon is full-frame compatible but gives a virtually identical viewing angle to a 35mm lens, when mounted on a DX format body.
A lot of Sony's premium zoom lenses are really rather big and heavy. For photographers who are getting sick of carting this hefty optics around, the firm has started producing a series of small, lightweight primes, and this one might be the most useful of them all. It's a G Master lens, and optically it's pretty much faultless, with incredible sharpness throughout the aperture range, across the frame.
This lightweight lens is perfect to attach to your Sony camera and just walk around with for hours. The balance and feel is so much better than it is with the hefty zooms, and the autofocus is fast and accurate enough to catch pretty much anything.
Sony has done a really impressive job here, and any Alpha-using street photographer should definitely make this lens a primary consideration. It therefore forms part of a very discreet package when mounted on an A7 or A9 series body.
Autofocus is based on a fast and quiet linear motor, with an electronically coupled focus ring that gives the option of manual override, via in-camera menus. Sharpness is very impressive in the central region of the frame, less so towards the edges. Weighing in at a just g, it still features a full metal casing and there's also a nice metal lens hood as well , while the aperture ring offers a very tactile alternative for shooting in manual and aperture-priority modes.
As for manual focusing, the physical focus control ring allows you smooth and precise focus adjustments. The optical design is state-of-the-art, featuring two aspherical elements with one fluorite-grade low dispersion element and four special low dispersion elements. These ensure you get stunning image quality. The lens retains extreme image sharpness across the whole frame when shooting wide open.
Moreover, when it comes to color fringing and barrel distortion, the Sigma 35mm is a solid performer. Compared to the Nikon 35mm lens of the Z-series, this F-mount lens is compact, lightweight, and very less expensive. A focus distance scale is available but offers limited benefits when manually focusing. This is because it lacks markings between 0. The optical design features one aspherical element and one ED element, as well as a super integrated coating.
Sharpness and contrast are great overall, and it performs exceptionally well against ghosting and flaring effects. The focus ring of the lens works smoothly and precisely.
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